Week One: Inspiration
This week, Nina and Elana will focus on Inspiration. We’ll explore what inspiration feels like in our bodies; share stories about times when inspiration struck; investigate the question of bounty and scarcity when it comes to finding new ideas; and much, much more.
You will gain tools to know how to move forward when you don't feel inspired; what to do when your stories scare you, either in scope or in subject or public perception; how to move out of fallow writing periods; how to write through personal hardship; and strategies for dealing with comparison and self-doubt.
Week Two: Creation I
Nina and Elana will discuss Nina’s desire to know “everything about everything” about others’ creative process; the “short story writer-shaped box” Elana unwittingly kept herself in for many years; our evolving relationship with ideas and the creative process; and much, much more.
You will gain insight to the arc of a project, from inspiration to revision to sale; learn to harness play and experimentation to jump start your drafting process or rekindle your energy; and leverage your own creative interests into a story only you could tell.
Week Three: Creation II
This time, Nina and Elana dig into the nuts and bolts of creation. We discuss different tools and tactics we’ve used over the course of our careers to create and craft our stories; the structures of our days and how constraints both of time and of form can help shape the things we make; the ratio of ease to effort in our work; and much, much more.
You will explore how new tools and drafting methods can transform your process; determine when it's right to hold yourself to word count goals and when you need more room for flexibility and spontaneity; engage with insightful exercises to deepen your understanding of your own characters, settings, and plots.
Week Four: Communication
This week, Nina and Elana explore several facets of Communication and writing, including early experiences of sharing work with critique partners and writing workshops; how vulnerability and the willingness to share work allows them to see our projects more clearly; the gratification of seeing one another’s early drafts; the experience of being reviewed by critics and other readers; and much, much more.
You will gain strategies for getting more value out of your existing writing relationships; become a more responsive reader; develop tools to better analyze your writing by communicating with your own work; re-center your own intuition after receiving negative, conflicting, or overwhelming feedback.Week Five: Revision
This week, Nina and Elana discuss the different sorts of revision we undertake throughout the life cycle of a project; the tools we lean on during the revision process; how one note from an editor or reader can change the trajectory of an entire new draft; and much, much more.You will learn about multiple modes of revising; see your drafts from new vantage points; explore ways to stay organized and on track during a complicated, long revision process; gain insights about how revision changes over the course of a career...and how it stays the same.
Week Six: Restoration
To be honest: we are terrible at restoration! In our final week, we'll touch on the importance and elusiveness of rest, and then dive into the business of being a writer. Nina and Elana discuss how we recognize when we’re nearing the end of a project and what it feels like to let it go; what we imagine our restorative time will look like, versus what it actually is; the business of writing as a career and how that impacts and complicates restorative practice; restoring our definitions of ourselves over time; and much, much more.
Elana has published twenty-six books with five forthcoming. Nina has published ten books with five forthcoming. Both of us write across age categories and have worked with a variety of editors and publishers. We will share all that we’ve learned about the business of being a writer and answer any questions that feel potent for our group, including how to approach agents, understanding the terms of book deals and advances, juggling multiple contracts and deadlines, and promoting a book once it's published.

Writing can be lonely and overwhelming. But for the duration of Listen In, you will have Nina and Elana’s voices in your ear. Between the private podcasts, the weekly zoom hours, the ongoing conversations on our forum, and the personal call, you won’t be alone. And the bundles distill the overwhelming process of writing into discrete, actionable work that will make you more the writer you are, already.
You may feel like you’re listening in on us, but you’ll also be finding ways to listen into your own work, your own brain, and your own practice, so that even after our time together ends, you’ll feel connected and energized with new tools, techniques, and perspectives that you’ll be able to turn to time and again.
We began the project of creating this course inspired by Nina’s words: “All I want to know is everything about how people work.” Listen In: Conversation and Cultivation is our way of giving you everything we can.